Today, Chris celebrates the release of a special project: Peace.
Peace was recorded as it was performed for Chris’s father during his time in hospice care, in the final weeks of his life. This extended album consists of five hours of Chris’s original solo vibraphone music.
He casts an enveloping atmosphere throughout, creating layers of ethereal sounds – poignant melodies, swirling textures, and undulating pedal tones. It’s an immersive listening experience that many have described as transportive, meditative, deeply healing, and transformative.
Click here to visit the album page, to hear the music and read Chris’s full statement about the album.
Embrace received a 5-star review in the UK-based Jazz Journal:
“Vibraphone-led trios aren’t common, and this is an outstanding realisation of the format”
Embrace received a glowing review in the New York Times!
“On each of his first two albums, the vibraphonist Chris Dingman made himself an element within his sextet’s prismatic splendor, full of interplay between spiky glistening surfaces — like an El Anatsui work rendered as music. On “Embrace,” his latest album, Dingman cuts the band’s membership in half, and the challenge of building a tapestry falls largely to him. Somehow he rises to it, laying chords atop arpeggios, running across the instrument’s range, all while focusing your ear on the big empty space in the trio’s sound. His study of Indian and West African classical musics has helped to furnish his toolbox, and on “Ali” he pays homage to an inspiration, the Malian guitarist Ali Farka Touré, though Dingman’s playing here is as influenced by the sound of the kora, a different West African stringed instrument, as by the guitar.” RUSSONELLO
See the full article here
Five years after his critically-acclaimed album The Subliminal and the Sublime, vibraphonist/composer Chris Dingman returns with his much-anticipated follow-up, Embrace. Due out March 6, 2020, the album features Linda May Han Oh on bass and Tim Keiper on drums, produced by Keith Witty.
How can we heal unacknowledged wounds within of ourselves? How can we find creative ways to work with our limitations and embrace new directions? The Embrace project explores these quandaries and more…
You can hear the first track “Inner Child” now and get an instant download when you pre-order the album.
Reach Out, the debut album from Envisage Collective is out now on RMI Records.
Featuring:
Kris Allen (alto sax) Nadje Noordhuis (trumpet) Chris Dingman (vibraphone) Noah Baerman (piano) Ike Sturm (bass) Allan Mednard (drums)
Dingman penned the title track “Reach Out” as well as the anthemic “Wish.”
About Envisage Collective
Envisage Collective is a cooperative ensemble that was founded in 2012 by Kris Allen (alto saxophone), Chris Dingman (vibraphone), Noah Baerman (piano and organ). Along with co-founders Johnathan Blake (drums) and Jimmy Greene (tenor and soprano saxophones), these established composer/performer/bandleaders were brought together by a shared vision of socially conscious jazz music that would speak prophetically, aid practically, and inspire thoughtfully. With each successive year the Collective (Initially known as the Jazz Samaritan Alliance) crafted all-new programs of works drawing thematic focus from and raising awareness about the important issues of hunger and food justice, domestic violence, and healthcare access, while raising funds for local charities working on the front lines of these efforts.
Musicians who joined the protean ranks of the group over its first five years include saxophonist Wayne Escoffery, bassists Linda May Han Oh and Henry Lugo, and drummers Rudy Royston, Otis Brown, III, and Anwar Marshall. November of 2019 marks an important milestone for the Envisage Collective, with the release of their first full-length album for RMI records, Reach Out.
This record features the current iteration of the band with Baerman, Allen and Dingman joined by Ike Sturm on bass, Nadje Noordhuis on trumpet, and Allan Mednard on drums, and provides both a snapshot into the potent chemistry of this evolving ensemble, and a retrospective of highlights from its members’ eclectic compositional output.
Chris was awarded the 2019 New Music USA Project Grant for his soon-to-be-released trio album project Embrace, featuring Linda May Han Oh and Tim Keiper, produced by Keith Witty.
Other grantees included Rudresh Mahanthappa, Nicole Mitchell, Etienne Charles, Myra Melford, Miguel Zenon, and several other luminary artists.
The Subliminal and the Sublime was listed as the #1 Jazz Album of 2015 by the Huffington Post !
The album was featured in several other “best-of-2015” lists, including:
2015 NPR Music Jazz Critics Poll
Ottawa Citizen – “2015’s Jazz List Bliss”
The Subliminal and the Sublime has continued to garner glowing acclaim this fall, this time from Huffington Post, Stereophile, and All About Jazz.
“unfolding like a story in a gorgeous legato arc… a sonic gem“
– David Adler, Stereophile
“Truly one of the year’s finest recordings in any genre…
5 stars“
– Dave Wayne, All About Jazz
“The Subliminal to the Sublime is an “aural feast” to be savored. If you have 60 minutes in your frantic life to dedicate to this music, sit down in your zero gravity recliner with a fine set of quality headphones and allow yourself to be immersed in Mr. Dingman’s images. You will be renewed.“
– Ralph Miriello, Huffington Post
The Subliminal and the Sublime was featured alongside albums from The Chemical Brothers and Yo La Tengo in Electronic Musician.
